Light, held still.

Fifteen years of photographing the moments that move — bands mid-roar, faces mid-thought, buildings at the exact hour they tell the truth.

Selected work

Music

Stages and concert photography.

People

Portrait sittings.

Travel

The places between places.

Architecture

Spaces and interiors.

About

I photograph the seconds other people feel but don’t see. I started in the photo pit of a half-empty club in 2013 and never really left the dark. Today I split my time between three subjects that have more in common than you’d think — they all perform, and they all drop the act for a fraction of a second.

By the numbers

From the journal

Occasional writing on shoots, setups and the small decisions that make a frame. No gear reviews, no presets for sale.

Three Nights in the Pit: Shooting

Music — No photo pass, no flash, no problem. What a weekend of sticky floors and 128 BPM taught me about anticipating a moment instead of chasing it.

One Light, One Chair: The Quiet Portrait Setup

People — Strip the studio back to a single strobe and a wooden stool, and there is nowhere for anyone to hide — including the photographer.

Blue Hour Is a Lie You Tell Yourself (and Other Architecture Truths)

Architecture — Everyone wants the dusk shot with the glowing windows. Here is what actually goes into it — and why the 7 a.m. frame often sells the house.

Have a stage, a face, or a space?

Tell me what you’re making. I’ll bring the cameras and the patience. Based in Trenton, NJ — available worldwide.